Three Chinese imperial seals went to auction with Sotheby’s in Hong Kong this week, each with an astronomic valuation. Given their rarity, not to mention the growth of the auction market in Asia, it’s not hard to see why. The seals also give us a window into the lives of China’s imperial rulers.
The first, the Qianlong Emperor’s “Ji’entang” seal from 1766, is made from white jade. On top, the knop (grip) is carved in the shape of a dragon and, in delicate lettering around the base, the emperor sets the record straight on his succession. His grandfather was the Kangxi Emperor (1654-1722), at that time “the single most powerful person on earth”, notes Sotheby’s. In the 61st and final year of his reign, the Kangxi Emperor was introduced to one of his grandsons, the 20-year-old Prince Hongli, at the Yuanmingyuan palace in Beijing. Taken with the young man, the emperor undertook to raise him, with the throne passing to his father, and thereafter to him, at which time he became Qianlong Emperor. The seal, valued at up to HK$180m (£16.8m), celebrates the Emperor’s relationship with his grandfather. In 1796, he abdicated after 61 years so as not to reign longer than his forebear.
When an emperor paid homage to a deceased ancestor, three identical memorial seals would be made from “silk” (paper and plaster), fragrant wood and jade. The silk seal would be burnt after a memorial service, the wooden seal placed in a tomb, and the jade seal kept in the Tai Miao temple in Beijing. Thus the second seal at the Sotheby’s sale is made from tanxiangmu (sandalwood) and it was the largest to be carved for the Kangxi Emperor. Sporting a mythical beast on top, the base of the seal bears four characters that read jingtian qinmin (“revere Heaven and serve thy people”), reflecting the first of four philosophical principles of ruling held by the Qing dynasty emperors – the others being fazu (learn from the ancestors), qinzheng (be diligent at politics), and aimin (love thy people). The Jingtian Qinmin seal was given an upper estimate of HK$100m (£9.4m).
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… and fall of a dynasty
The final seal bears witness to what happens when one dynasty, in this case the Ming, is supplanted by another – the Qing of the Kangxi and Qianlong emperors. It was carved in green jade for Empress Wen (1362-1407), consort of the Yongle Emperor, with a horned dragon, “encapsulating the pinnacle of wealth and power of the Ming dynasty in the early 15th century”. It is also the only Ming-era memorial seal to have survived. Even the Qianlong Emperor wondered why this was, surmising that others had either been recarved for later rulers, or simply destroyed when his Qing dynasty took power in 1644. He was probably right. The Yongle Empress Wen seal, valued at up to HK$30m (£2.8m), was smashed almost in two, and bears the scorch marks of a dynasty violently overthrown.
The price of a pixel
Ever wondered what a unique digital “artwork” of a single pixel would cost? Last week, we found out. The single grey pixel by the anonymous artist (or artists) Pak, imaginatively titled The Pixel, was bought for $1,355,555 at an auction via online marketplace Nifty Gateway, in partnership with Sotheby’s. Another non-fungible token (NFT) by Pak sold for over $1.4m. More intriguing still was the sale of a fungible token – a digital work that wasn’t unique – over three days. Called Cube, people could buy an image of a single cube for $500, an image of five cubes for $2,500, and so on, up to 1,000 cubes for $500,000. On the first day, around 19,740 cubes were bought for $9.9m. On the second day, the price of a cube doubled to $1,000 and, interestingly, a further 3,268 cubes were bought for $3.3m. On the third day, the price rose again, to $1,500, yet 593 more cubes were sold. In total, 3,080 buyers spent around $14m on 23,598 cubes over the three days.
Stranger still, Pak also introduced the “burning” of an NFT – in other words, relinquishing ownership, as Abby Schultz notes in Barron’s Penta. In return, the now-former owner gets an “Ash” token, which allows them “access to future pieces” created by Pak. In effect, Pak created its own digital currency for its artworks. During the sale, Ash tokens were reportedly trading on cryptocurrency exchanges for $22,000. Pak “aggressively” hyped the sale on social media, says James Tarmy on Bloomberg. There were also NFT prizes for the person who, for example, bought the most cubes, posted the hashtag #PakWasHere to the biggest social-media audience (socialite Paris Hilton responded), or spent the most money on the secondary market – clever because NFTs pay the artist every time they are resold.
Christie’s in Hong Kong is to offer an “important and extremely rare” blue and white “kui dragon” jar on 28 May. The jar hails from China’s Xuande period (1426-1435) and features a kui dragon, inspired by the mythical Makara from Indian mythology. Only a few jars are known to exist from the Xuande period, with one preserved in the Palace Museum in Beijing, and another in the Fitzwilliam Museum in Cambridge. The sale is in celebration of Hong Kong collector Robert Chang’s 95th birthday, with the proceeds to benefit his foundation. Christie’s hasn’t released an estimate, but it is bound to fetch more than the £30,000 Chang paid for it when he bought it at auction with Christie’s in London in 1988.
A rare pale celadon jade teapot dating from the Qianlong period (see above), sold last month with Sotheby’s for £176,400, 18 times its estimate, at a sale of items from the collection of the late Patricia Knatchbull, Second Countess Mountbatten of Burma. The piece (pictured), one of several jades, had formerly belonged to Sir Ernest Cassel, who was financial adviser to King Edward VII and the countess’s great-grandfather. Other items in the sale to fetch high prices included a Jaguar 420, commissioned by Lord Mountbatten in 1967, which sold for £126,000; a late-18th-century brooch named the Banks Diamond, which fetched £138,600; and a Fabergé gold-mounted cigarette case, which made £47,880.
Chris Carter spent three glorious years reading English literature on the beautiful Welsh coast at Aberystwyth University. Graduating in 2005, he left for the University of York to specialise in Renaissance literature for his MA, before returning to his native Twickenham, in southwest London. He joined a Richmond-based recruitment company, where he worked with several clients, including the Queen’s bank, Coutts, as well as the super luxury, Dorchester-owned Coworth Park country house hotel, near Ascot in Berkshire.
Then, in 2011, Chris joined MoneyWeek. Initially working as part of the website production team, Chris soon rose to the lofty heights of wealth editor, overseeing MoneyWeek’s Spending It lifestyle section. Chris travels the globe in pursuit of his work, soaking up the local culture and sampling the very finest in cuisine, hotels and resorts for the magazine’s discerning readership. He also enjoys writing his fortnightly page on collectables, delving into the fascinating world of auctions and art, classic cars, coins, watches, wine and whisky investing.
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