Quantitative easing: too much of a good thing

The Bank of England is addicted to quantitative easing (QE), the House of Lords has warned. What does that mean for investors?

Mervyn King
Mervyn King: not a fan of QE
(Image credit: © Shutterstock)

When the developed world’s central banks resorted to quantitative easing (QE) after the 2008 global financial crisis, most of us were shocked. While QE was not entirely new, the idea of central banks printing money at scale to buy government bonds seemed an extraordinarily radical, not to mention risky step. Today, it’s just another part of the toolbox. QE has been used in various forms across most developed nations in the decade since the banking crisis, so when it was deployed in vast quantities during the pandemic, no one batted an eyelid. But a new report from the House of Lords’ Economic Affairs Committee suggests that this widespread complacency is a problem. In short, QE has become “a dangerous addiction”, to quote the report’s title, with a particular focus on its use during the pandemic.

The big problems with QE

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John Stepek

John Stepek is a senior reporter at Bloomberg News and a former editor of MoneyWeek magazine. He graduated from Strathclyde University with a degree in psychology in 1996 and has always been fascinated by the gap between the way the market works in theory and the way it works in practice, and by how our deep-rooted instincts work against our best interests as investors.

He started out in journalism by writing articles about the specific business challenges facing family firms. In 2003, he took a job on the finance desk of Teletext, where he spent two years covering the markets and breaking financial news.

His work has been published in Families in Business, Shares magazine, Spear's Magazine, The Sunday Times, and The Spectator among others. He has also appeared as an expert commentator on BBC Radio 4's Today programme, BBC Radio Scotland, Newsnight, Daily Politics and Bloomberg. His first book, on contrarian investing, The Sceptical Investor, was released in March 2019. You can follow John on Twitter at @john_stepek.