What went wrong at Lehman Brothers

At $639bn, Lehman Brothers is the biggest bankrupt ever. Its collapse was fast followed by the sale of Merrill Lynch. So who’s left standing, and for how long? Cris Sholto Heaton reports.

Why did Lehman Brothers go bust?

The investment bank ran out of time. CEO Richard Fuld had been trying to raise more equity to support the firm for weeks either by selling assets, such as its Neuberger Berman asset-management unit, or by finding a deep-pocketed investor. But he tried to drive too hard a bargain. Buyers refused to pay the price he asked for Neuberger, while talks to sell a major stake to the Korean Development Bank (KDB) also failed, apparently because Fuld wanted more than KDB's proposed $15 a share. Once the KDB deal collapsed very publicly last week, the game was up. With more writedowns coming on its $70bn of realestate-related assets, and other market participants increasingly unwilling to do business with the firm, Lehman needed a white knight quickly.

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Cris Sholto Heaton

Cris Sholto Heaton is an investment analyst and writer who has been contributing to MoneyWeek since 2006 and was managing editor of the magazine between 2016 and 2018. He is especially interested in international investing, believing many investors still focus too much on their home markets and that it pays to take advantage of all the opportunities the world offers. He often writes about Asian equities, international income and global asset allocation.

Cris began his career in financial services consultancy at PwC and Lane Clark & Peacock, before an abrupt change of direction into oil, gas and energy at Petroleum Economist and Platts and subsequently into investment research and writing. In addition to his articles for MoneyWeek, he also works with a number of asset managers, consultancies and financial information providers.

He holds the Chartered Financial Analyst designation and the Investment Management Certificate, as well as degrees in finance and mathematics. He has also studied acting, film-making and photography, and strongly suspects that an awareness of what makes a compelling story is just as important for understanding markets as any amount of qualifications.