Football’s £5bn bonanza

Competition between Sky and BT for rights to screen the footie has handed a £5bn windfall to the English Premier League. Can that really be a good deal? Simon Wilson reports.

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It's a hugely profitable old game for some

What's happened?

Under a three-year deal with the English Premier League (EPL), which will run from 2016-2019, BSkyB has agreed to pay £1.4bn a season for the UK rights to broadcast 126 live games (including the most coveted Sunday afternoon matches). That's a rise of £632m on the deal it negotiated in 2012, and is the equivalent of almost £11m a match.

For its part, BT will pay £320m a season for 42 games, a more modest rise of £74m on its current deal and equivalent to £7.5m per match. The annual total of £1.72bn is £16m more than the BBC's entire programming budget for the year, and represents an astonishing 45-fold increase on its first rights deal with the EPL in 1992 (£38m).

It also means that more than a quarter of all the money spent on TV production in the UK will be on programmes that attract 0.5% of the total audience.

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How can this make sense?

Football is no stranger to exorbitant price inflation that appears to defy all commercial logic. During the last EPL rights round in June 2012, BT bagged 38 Premier League games a seasonfor £738m, forcing Sky to pay £2.3bn for the other 116.

That was a 70% price hike on the previous contract. In the autumn of 2013 BT bid £299m a year, or £897m in total, for the rights to show 350 Champions League and Europa League matches (the main pan-European club competitions) for three years from 2015. That was more than double the previous deal, under which Sky and ITV paid a total of £135m a year. At the time, that was greeted by analysts as a crazy overpayment.

Why is Sky doing this?

Sky has become a victim of its own success in getting people to pay for sports coverage. Half of Sky's 11.5 million customers pay for sports channels and the EPL is its premium product. Now it's being forced to pay ever-higher sums to keep those rights in the face of a challenge from BT, which wants to use sports coverage to drive its broadband/phone/TV offer.

When Sky lost the European rights, it put a brave face on the loss, claiming that BT had overpaid. But losing the Premier League would be a different matter, potentially sparking an exodus of customers and destroying its business model. Even the loss of the European rights and the perceived threat to its sports dominance wiped 11% off its share price.

Can Sky afford it?

From Sky's point of view, the company has "bought certainty for its business till kingdom come", the media analyst Claire Enders told The Sunday Times. That's because in her view the rights are now so expensive that BT would be unable to justify trying to bid for a majority of games unless it started to charge customers to watch them.

Sky reckons it is going to part-fund its higher football spending by making £600m of cost savings over three years, though details of these are sketchy. It may also have to push up subscription prices not easy in the face of stable or falling prices in the wider economy.

Is it so bad by global standards?

The new deal makes the Premier League the second most lucrative sports league in the world behind the NFL (American football), for which US broadcasters pay $4.95bn a year. The EPL now earns broadly the same as the NBA (US professional basketball), which has recently agreed a $2.6bn a year deal covering 2016-2025, an 180% increase on the previous deal.

The fourth most lucrative sports rights are for Major League Baseball ($1.5bn a year from 2014-21). What all these deals have in common is that in each case the sums involved are surging a boom that "reflects fundamental shifts in the TV industry", says Henry Mance in the FT.

What shifts are those?

The growth of TV on demand, where viewers skip the advertisements, makes live sports events (where they can't fast forward) a crucial draw for advertisers particularly in the US. The other major shift (mostly affecting Europe) is an increase in competition between pay-TV firms and telecoms groups. Sky and BT both sell TV, broadband and landline packages, and will soon add mobile-phone contracts.

In this battle, sports programming is a loss leader for firms such as BT, which is important because it means it can afford to pay more for sports content than Sky's previous rivals for EPL rights (Setanta and ESPN), which needed to turn a profit from subscriptions and advertising revenues.

These factors have helped push the value of global sports rights for top-tier events to $28bn, up one-third from 2010, say consultants Deloitte. "Is the bubble going to burst? We see no sign of it," says Deloitte's Austin Houlihan. "The trend of the past 20 years suggests it won't."

How the auction works

The mechanics of the EPL auction are "shrouded in secrecy",says Simon Duke in The Sunday Times, but the process"appears tailor-made to sweat broadcasters for as muchmoney as possible". The Premier League is thought to havehired experts in game theory (the branch of mathematics thatanalyses decision-making in complex situations where actionsdepend on the choices made by competing players) to designthe sale.

The process involves a blind auction, which meansparticipants must submit sealed offers for each of the seven"packages" of games available, without knowing how muchothers have bid. In this case, it is possible that rumours of bidsby deep-pocketed new entrants (US broadcaster Discoveryand Qatar's BeIN Sports) induced Sky to pay over the odds.

Simon Wilson’s first career was in book publishing, as an economics editor at Routledge, and as a publisher of non-fiction at Random House, specialising in popular business and management books. While there, he published Customers.com, a bestselling classic of the early days of e-commerce, and The Money or Your Life: Reuniting Work and Joy, an inspirational book that helped inspire its publisher towards a post-corporate, portfolio life.   

Since 2001, he has been a writer for MoneyWeek, a financial copywriter, and a long-time contributing editor at The Week. Simon also works as an actor and corporate trainer; current and past clients include investment banks, the Bank of England, the UK government, several Magic Circle law firms and all of the Big Four accountancy firms. He has a degree in languages (German and Spanish) and social and political sciences from the University of Cambridge.