Napoleon: the “monster-liberator” of Corsica

Ridley Scott's latest film, Napoleon, proves the enduring appeal of the French emperor.

Statue of Napoleon Bonaparte as First emperor of France, Ajaccio, island of Corsica
(Image credit: Getty Images)

Napoleon Bonaparte (1769-1821) has long held a “seductive” appeal for artists, says Peter Bradshaw in The Guardian. He ranks third behind Jesus and Hitler in the number of books written about him, says Simon Schama in the Financial Times, and outdoes them both in the number of films. 

Just what kind of person sits at the centre of this cult is in the eye of the beholder. In Sergei Bondarchuk’s film Waterloo, he was a “world-weary gang boss”; in King Vidor’s War and Peace, a “dwindling absurdity”. But in Ridley Scott’s “outrageously enjoyable” epic biopic (starring Joaquin Phoenix), he is the “arch satirist and grinning mastermind, the outsider, the brilliant observer and exploiter of other people’s weaknesses, the proto-capitalist entrepreneur”.

Subscribe to MoneyWeek

Subscribe to MoneyWeek today and get your first six magazine issues absolutely FREE

Get 6 issues free
https://cdn.mos.cms.futurecdn.net/flexiimages/mw70aro6gl1676370748.jpg

Sign up to Money Morning

Don't miss the latest investment and personal finances news, market analysis, plus money-saving tips with our free twice-daily newsletter

Don't miss the latest investment and personal finances news, market analysis, plus money-saving tips with our free twice-daily newsletter

Sign up
Explore More

Jane writes profiles for MoneyWeek and is city editor of The Week. A former British Society of Magazine Editors editor of the year, she cut her teeth in journalism editing The Daily Telegraph’s Letters page and writing gossip for the London Evening Standard – while contributing to a kaleidoscopic range of business magazines including Personnel Today, Edge, Microscope, Computing, PC Business World, and Business & Finance.

She has edited corporate publications for accountants BDO, business psychologists YSC Consulting, and the law firm Stephenson Harwood – also enjoying a stint as a researcher for the due diligence department of a global risk advisory firm.

Her sole book to date, Stay or Go? (2016), rehearsed the arguments on both sides of the EU referendum.

She lives in north London, has a degree in modern history from Trinity College, Oxford, and is currently learning to play the drums.