Austerity is good for the arts

Do artists feel beholden to politicians for the hand-outs they receive?

Mark Ravenhill's remarks at the Edinburgh Festival won't make him many friends among the chattering classes. It's rare to find a playwright, even a talented one, saying that the arts would be better off as a result of funding cuts.

But the RSC's writer-in-residence doesn't feel any luvvyish enthusiasm for the last Labour government. Their generous spending, he says, led the performing arts "astray". "Didn't the arts become safe and well behaved in the New Labour years? I think they did. I think they weren't telling the truth the dirty, dangerous, hilarious, upsetting, disruptive, noisy, beautiful truth as often as they should have done. Why? Because most artists are decent, liberal, if-only-everyone-were-nicer-to-each-other-and-let's-heal-it- with-a-hug sort of folk and so voted New Labour."

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